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After being recorded on camera’s disk, files with images – due to their significant size which may reach more than 1 TB for an hour of filmed material – are converted in several ways. This requires expertise in management of large amounts of data as well as equipment able to handle that. Whilst working with complex technology, we prefer the simplest yet most effective solutions – we have equipment which makes it possible to view recorded film images to control and verify their physical quality. CODEX is the best file recorder for digital cameras available in the film market today.
Known for its reliability, used in the largest film productions around the world, it provides stress-free recording of files in high resolutions and makes editing and conforming significantly easier thanks to uniform file naming and precise timecode recording, which is very important in further post production. DI VIEW – service which allows for internet access to all film set materials on a computer, tablet or smartphone. Images can be placed in DI VIEW after one-light colour grading – allowing the cameraman to view materials from daily shoots in high definition and with correct colours and contrast. Data from the camera is duplicated onto two hard drives and LTO tape or one hard drive and 2 LTO tapes. Di Factory works on the film set or very close to it, which significantly cuts time between the shoot and the access to images available for editing, and allows for image quality control immediately after recording. After editing (which may also be done at DI Factory – 2 edit suites), conforming takes place, which is a process of repeat editing in high resolution.
The next step is digital colour grading where with the use of a digital projector – dedicated to work in post production – on an 8-metre wide screen. The projection is caibrated and constantly monitored according to the best industry standards.
Colour grading is done with Digital Vision’s Nucoda Film Master. Colour grading is followed by the export of files and the process of mastering, and the final result is reference material for digital cinema screening – DCP master, television screening – broadcast files, and compressed files for the internet and mobile media. Since 2005, we have handled post production of more than 140 films done in the DI technology.
Preparation of digital copies for cinema distribution and KDM keys service. Another type of service which we provide is the preparation of digital copies – DCP, and so-called keys for cinema distribution – KDM. To make disk copies, we use a duplicator which in a day produces enough copies to allow digital distribution of a film throughout Poland. We have plenty of experience in this area from our work with Polish and foreign film distributors.
So far, we have made several dozen DCP masters for feature films, several thousand digital copies and thousands of KDM keys. We have worked on hundreds of advertising campaigns, together with our partner sound company – SOUNDPLACE – which prepares cinema mixes, we verify, upscale and correct materials from various television formats which become part of advertising campaigns screened in cinemas.